Fellowship

Fellow 2018/2019

Jessica de Abreu

Jessica de Abreu is an anthropologist, curator, and activist who graduated from the departments of Social and Cultural Anthropology and Culture, Organization and Management at VU University Amsterdam, Amsterdam. Her passionate commitment to the field of African Diaspora has led to research on upward social mobility in New York, Amsterdam, and London. Her recent research project on organizational anthropology focused on social entrepreneurship in Black British communities from a postcolonial perspective. She is a board member at New Urban Collective and co-founder of The Black Archives, both Amsterdam.

Jessica de Abreu

Jessica de Abreu is an anthropologist, curator, and activist who graduated from the departments of Social and Cultural Anthropology and Culture, Organization and Management at VU University Amsterdam, Amsterdam. Her passionate commitment to the field of African Diaspora has led to research on upward social mobility in New York, Amsterdam, and London. Her recent research project on organizational anthropology focused on social entrepreneurship in Black British communities from a postcolonial perspective. She is a board member at New Urban Collective and co-founder of The Black Archives, both Amsterdam.

Fellowship Research Trajectory

Anthropologist, activist, and curator Jessica de Abreu’s research trajectory focuses on how Black women, particularly from the organization Vereniging Ons Suriname (VOS), fit into the legacy of Black women’s activism in the Caribbean and Netherlands. VOS is one of the oldest migrant self-organizations in the Netherlands, celebrating its hundred year anniversary in 2019. While founders and activists such as Julius Jacob Gemmel, Eddy Bruma, and Otto Huiswoud are familiar names, little is known about the women within the organization and how they built an anti-colonial movement, a community, and other political work in the Netherlands. This research encourages intergenerational work to develop intersectional perspectives around archives, following the question: How did Black women’s activism develop at VOS between the 1940s and 1990s, and how was art used as a tool for education and social change?

Especially considering discourses around colonial history and its marginalized legacy, art as a space for social change can give voice to these silenced archives and histories. Moreover, the collaboration between art and postcolonial archives gives further meaning around healing from hate, erasure, and struggle.

Archival Propositions

BAK 2018/2019 Fellows Jessica de Abreu and Yasmine Eid-Sabbagh present at Propositions #7/6: Archive, the final iteration of the public series Propositions #7: Evidentiary Methods. The event also features Ariel Caine (Forensic Architecture, London) and takes place at BAK in the context of the exhibition Forensic Justice (18 October 2018–27 January 2019). This program is […]

Naomie Pieter: The Body in Black Women’s Activism

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Activist and artist Naomie Pieter leads the Fellows in a workshop on the use of the body as a […]

Arun Saldanha: Reontologising Race and the Post-Colonial Body

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Geographer and theorist Arun Saldanha joins the Fellows to present his work on reontologising race, affect, and ecologies, and […]

Related content

Roet in het Eten Book Launch

As part of Propositions #2: Assemblism, Quinsy Gario presents his new book Roet in het Eten [Spanner in the Works],an anthology of newspaper columns, opinion articles, blog posts on among other things anti-racism, white supremacy and Dutch media landscape written between 2011–2017 and published mainly on the eponymous online platform Roet in het Eten.  

Civilization at the Crossroad: Co-Curated by Lukáš Likavčan

Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]

Introduction to Comparative Planetology

BAK 2018/2019 Fellow Lukáš Likavčan’s publication  Introduction to Comparative Planetology (2019, Strelka Press) is the culmination of long term research, including his research as a BAK Fellow. The book-essay, according to  Likavčan, “presents an intertwined analysis of visual cultures of imagining the Earth and geopolitics of climate emergency. It compares different “figures” of the planet […]

Fellows at Le Guess Who?

  On Friday 8 November, BAK 2018/2019 Fellow Jeanne van Heeswijk and Utrecht-based experimental music festival Le Guess Who connect visual artist, activist, womanist, and fellow Fellow Patricia Kaersenhout with Chicago-based pianist, clarinetist, and composer Angel Bat Dawid for an event as part of Trainings for the Not-Yet (14 September 2019–12 January 2020). Both women tap […]

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