From 2017 on, BAK, basis voor actuele kunst unfolds its long-term research itinerary Propositions for Non-Fascist Living.
The convention in the context of the project Usufructuaries of earth is a two-day gathering that summons different practices of non-expropriative userships in relation to land, housing, social reproduction, agriculture, and knowledge.
The reading groups are held in the lead-up to the convention to learn together histories and propositions of usufruct.
Open call for the Usufructuaries of earth reading groups: a federated structure of three reading groups in Rotterdam, Berlin and Amman.
Usufructuaries of earth
A project in three chapters convened by BAK with artist Marwa Arsanios
Chapter two, reading groups and online publication Prospections
Usufructuaries of earth
A project in three chapters convened by BAK with artist Marwa Arsanios
Chapter two, reading groups and online publication Prospections
Usufructuaries of earth
A project in three chapters convened by BAK with artist Marwa Arsanios
Chapter two, reading groups and online publication Prospections
A project in three chapters: an exhibition by Marwa Arsanios (7 March–2 June 2024), reading groups and online publication (ongoing), and a convention (24–25 May 2024)
The exhibition foregrounds the artist’s collaborative approach to bringing together ecological, feminist, and decolonial knowledges and practices that put forward ideologies of shared usership.
To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023) is a moving image forum which takes place at BAK, basis voor actuele kunst, Utrecht from 9 September to 29 October 2023.
Interested practitioners and scholars from across disciplines are invited to join Zone Collective for a weekend of character development workshops devised within the "Zoning Play Complex", a diverse series of projects undertaken as part of the collective’s long-term research toward the development of "A Neighbourhood Zoning Play".
The fourteenth edition of the yearly 2.Dh5 festival has the theme “Defeating Dystopia?” The festival is focused on grass-roots campaigns, tactics and methods geared towards a society based on freedom and solidarity.
BAK, basis voor actuele kunst in Utrecht proudly presents Propositions #8: I Wanna Be Adored (the Non-Fascist Remix), an evening program of performance, music, installations, hosted space, dancing, bites, and celebration with the BAK 2018/2019 Research Fellows.
BAK Public Studies offers the new online course Art as Politics. This digital extension of BAK Public Studies is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
BAK, basis voor actuele kunst, organizes this edition of the course Art as Politics in solidarity with the Ukrainian people. All proceeds of this fundraiser are to be donated to the Visual Culture Research Center, who are providing structural help to cultural workers affected by the war.
As a part of the exhibition Tony Cokes: To Live as Equals, the artist presents a three-day workshop investigating critical themes that circulate through his work, and various intersections with and applications of forms of the theoretical.
Art as Politics is a digital extension of BAK Public Studies, prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, tracing Cokes’s unique formation of critique through visual and textual codes, and his changing relationship to archival material over several different global historical moments.
Art as Politics, a digital extension of BAK Studies (formerly called BAK Public Studies), is prompted by the urgency to engage in collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
Art as Politics, a digital extension of BAK Public Studies, is prompted by the urgency to engage in collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
Art as Politics, a digital extension of BAK Public Studies, is prompted by the urgency to engage in collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
Speciaal voor Museumkaarthouders: een exclusieve inleiding op Fragments of Repair/Kader Attia, de eerste uitgebreide tentoonstelling van kunstenaar Kader Attia in Nederland.
From 15 July until 15 August 2021 the work Oil and Sugar #2 (2007) by Kader Attia is on view at De Voorkamer, as part of Fragments of Repair/Kader Attia!
Art as Politics, a digital extension of BAK Public Studies, is prompted by the urgency to engage in collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
As part of the FEINART Lecture Series, BAK’s general and artistic director Maria Hlavajova presents an online lecture on 3 June 2021, From Art Institution to Community Portal.
BAK, basis voor actuele kunst, Utrecht proudly presents Fragments of Repair, a multi-part project consisting of an exhibition, collective study program, and series of gatherings, co-convened with artist Kader Attia and decolonial forum, Paris.
A collective study program realized in the framework of the multi-part project Fragments of Repair (17 April–1 August 2021), convened by BAK, basis voor actuele kunst, Utrecht with artist Kader Attia and La Colonie, Paris and hosted by La Dynamo de Banlieues Bleues, 9 Rue Gabrielle Josserand, 93500 Pantin, Paris.
Fragments of Repair/Gatherings involves an online/offline series of lectures, conversations, screenings, and assembly forums convened by BAK around the theory and practice of repair, that takes place in the framework of the multi-part project Fragments of Repair.
Fragments of Repair/Kader Attia, one part of the multi-part project Fragments of Repair, is the first comprehensive exhibition of Attia’s work in the Netherlands, on view at BAK, basis voor actuele kunst, Utrecht.
An online assembly and public forum aligning with the planned closing days of exhibition Tony Cokes: To Live as Equals (which has prematurely closed due to the Covid-19 lockdown measures in the Netherlands) and the ongoing “How to Assemble Now”.
This locally-focused second edition of Practicing Tactical Solidarities: A Roundtable on Mutual Aid, Emergency, and Continuous Care features artists, organizers, and activists working in Utrecht, many of whom are current BAK Fellows.
A collaborative open call by Stichting Nederland Wordt Beter, The Black Archives/New Urban Collective, Black Queer & Trans Resistance NL, Kick Out Zwarte Piet (KOZP) and BAK, basis voor actuele kunst, Utrecht, for artists and writers to manifest the Manifesting Systemic Change Through Creative Waves manifesto.
The online course Art as Politics, a digital extension of BAK Public Studies, is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
As a part of the exhibition Tony Cokes: To Live as Equals, the artist presents a two-day online workshop investigating critical themes that circulate through his work, and various intersections with and applications of forms of the theoretical.
On Saturday 17 October 2020, BAK, basis voor actuele kunst, Utrecht hosts a program surrounding the new book of artist Nicoline van Harskamp, My Name Is Language (2020), published by Scriptings and Archive Books. The program takes place as part of the reopening of at BAK, on 16 & 17 October 2020.
From 16 October 2020 until 31 January 2021 BAK, basis voor actuele kunst, Utrecht presents Tony Cokes: To Live as Equals, an exhibition and public program with and around the work of multimedia artist Tony Cokes. The exhibition is curated by Thiago de Paula Souza.
BAK, basis voor actuele kunst, Utrecht is proud to invite you to the book launch Deserting from the Culture Wars, the second reader in our BASICS series, published by BAK, basis voor atuele kunst and MIT Press, Cambridge, MA and edited by Maria Hlavajova and Sven Lütticken.
From 16 October–29 November 2020, the work c.my.skull.2. (Evil.13: Alternate Versions) by Tony Cokes is screened in public space as part of Tony Cokes: To Live as Equals.
BAK organizes this edition of the course Art as Politics to donate the proceeds to Beirut Art Fund. The fund, set up by Mophradat, supports Beiruti artists, initiatives, and institutions in the aftermath of the 4 August 2020 explosion.
BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program in the form of a sonic science fiction transmission.
The online course Art as Politics, a digital extension of BAK Public Studies, is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.
BAK, basis voor actuele kunst, Utrecht is proud to present a collaboration with Mama Cash for International Women’s Day, 8 March 2020. The Mama Cash Feminist Festival celebrates all that feminist movements around the world have fought for and achieved. It also looks forward, as visitors collectively imagine what a more feminist future would look like.
On Saturday 7 March 2020 BAK, basis voor actuele kunst, Utrecht hosts a special International Women’s Day edition of Yallah Sabaya!
On Sunday 1 March 2020, come to BAK, basis voor actuele kunst, Utrecht for a curator tour of the newly opened Tony Cokes: To Live as Equals, an exhibition and public program with and around the work of artist Tony Cokes! Curator Thiago de Paula Souza will elaborate on the concept behind the exhibition, and take visitors past some of the pivotal works in the show.
After the success of the first editions, Yallah Sabaya is back. Yallah Sabaya, meaning in Arabic ‘Come ladies! Enjoy yourselves!’, is a special evening just for women, an evening where dance and music connect women from around the world.
The twenty-second training as part of the Trainings for the Not-Yet is with Bakudapan Food Study Group, and takes place on 18–22 December 2019 (Wednesday–Sunday). This training focuses on mapping, cooking, eating, and reading.
The Bratislava BAK Winter School: Art as Politics is a collaborative and intensive learning week from 16–20 December 2019 in Bratislava, Slovakia.
The twentieth training as part of the Trainings for the Not-Yet is with Beatrice Catanzaro. It takes place on 11–15 December 2019 (Wednesday–Sunday). This training focuses on exploring memories, communal writing and visualising (personal) stories.
The twenty-first training as part of the Trainings for the Not-Yet is with QANAT (Abdellah Hassak, Amine Lahrach, Edouard Sors, Francesca Masoero, George Bajalia, Jérôme Giller, Louisa Aarrass, Noureddine Ezarraf, and Sara Frikech), and takes place on 11–15 December 2019 (Wednesday–Sunday).
The eighteenth training as part of the Trainings for the Not-Yet is with Urban Front (David Harvey and Miguel Robles-Durán), and takes place on 5 December 2019 (Thursday).
The sixteenth training as part of the Trainings for the Not-Yet is with Hamada al-Joumah and Jasmine Eid-Sabbagh, and takes place 27 November–1 December 2019 (Wednesday–Sunday).
The seventeenth training as part of the Trainings for the Not-Yet is with a subdivision of To Be Determined (Clara Balaguer, Gabriel Fontana, and Sarafina van Ast), and takes place 27 November–1 December 2019 (Wednesday–Sunday).
The fifteenth training as part of Trainings for the Not-Yet is with Black Quantum Futurism, and takes places 20-22 November 2019 (Wednesday-Friday).
This fourth day of the week of Propositions #9 Deserting from the Culture Wars consists of a training with Terra Critica, and a public program including a panel.
This third day of the week of Propositions #9 Deserting from the Culture Wars consists of a training with Transformella Malor, and a public program including a lecture.
This second day of the week of Propositions #9 Deserting from the Culture Wars consists of a training with Rose Hammer and a public program including a lecture with Tom Holert.
This first day of the week of Propositions #9 Deserting from the Culture Wars consists of a training with Jonas Staal, and a public program including a lecture with Sven Lütticken.
The thirteenth training as part of the Trainings for the Not-Yet is with Patricia Kaersenhout, and takes place 6-8 November 2019 (Wednesday-Friday).
The twelfth training as part of Trainings for the Not-Yet is a symposium for and by refugee & migrant women by New Women Connectors and BAK, basis voor actuele kunst.
The eleventh training as part of Trainings for the Not-Yet is with De Voorkamer, and will take place from 29-31 October 2019 (Tuesday-Thursday) and on 3 november 2019 (Sunday).
Listen/Re:listen is a radio installation by Stranded FM as part of Trainings for the Not-Yet. Stranded FM, a Utrecht-based “Unconventional Online Radio”, will host a series of trainings from Sunday 27 October untill Wednesday 18 December.
The tenth training as part of Trainings for the Not-Yet is with Carmen Papalia, and takes place from 22-26 October 2019 (Tuesday-Saturday).
The eighth training as part of Trainings for the Not-Yet is with Homebaked Community Land Trust (CLT) (Britt Jurgensen), De Nieuwe Meent (Selçuk Balamir), de Kasko (Joska Ottjes), Refugee Collective We Are Here, Ethel Baraona Pohl, Cristina Gamboa and Irene Calabuch Miron. It takes place from 16-20 October 2019 (Wednesday-Sunday). The training consists of discussions, exchange, and cooking.
The ninth training as part of the Trainings for the Not-Yet is with Fran Ilich, and takes place from 16-20 October 2019 (Wednesday-Sunday). It inlcudes presentations and talks with images, casestudies of alternative art, community and economic models, and collective production and spinning into motion of plans and strategies.
The seventh training as part of the Trainings for the Not-Yet is with Whitney Stark, and takes place on 12 October 2019. This training focuses on thinking exercises and collaborative resource building to come up with and share tools, practices, and ideas on care, accountability, and relation.
The sixth training as part of Trainings for the Not-Yet is with Laced-Up Project, and takes place on Thursday 10 October 2019. The training consists of discussions, presentations, and practical exercises on the art of consent.
The fourth training as part of the Trainings for the Not-Yet is with Chloë Bass, and takes place from 9-13 October 2019. This training focuses on cooking, recipe writing, storytelling, dialogue, translation, language-learning and language-teaching.
The fifth training as part of the Trainings for the Not-Yet is with Staci Bu Shea, and take place on 9 and 11 October 2019. This training focuses on building coalition and affinity, strategies for dealing with feelings, principles of nonviolent communication, creating and maintaining boundaries, and identifying and holding accountability.
Part of BAK Public Studies, the course Instituting Otherwise, which takes place at BAK, basis voor actuele kunst in Utrecht from 8–29 October 2019, focuses on the possibilities of the (art) institution within and in spite of the current political predicament.
The third training as part of Trainings for the Not-Yet is with Joy Mariama Smith, and takes place from 2–6 October 2019 (Wednesday–Sunday) at BAK. It is a training in collective reading and writing, conversations, somatics, movement research, karaoke, and more, culminating in a dance party and public intervention on Saturday 5 October 2019.
Throughout the course of Trainings for the Not-Yet, the Basic Activist Kitchen (the BAK) organizes daily cooking sessions and meals for trainings participants as well as for passers-by.
Yallah Sabaya (“Come, ladies! Enjoy yourselves!” in Arabic) is a special evening just for women, an evening where dance and music connect women from around the world. All women, from every country or culture, are welcome to meet, chat, and dance.
The second training as part of Trainings for the Not-Yet is with Nancy Jouwe and Denise Valentine, and takes place from 26–28 September 2019. It is a training in mapping timelines, street names, landmarks, oral histories, archival material, and personal histories.
From 23 September until 28 October 2019, BAK organizes the course “Art and Politics.” In six weekly sessions, the participants learn about how contemporary art relates to the political in an accessible way. The course zooms in on the historical period starting with the pivotal year 1989 to today.
BAK, basis voor actuele kunst is thrilled to share the schedule of trainings for Trainings for the Not-Yet. These community-to-community sessions, with artists, organizers, activists, dancers, cooks, and more, take place every week, Wednesdays–Sundays (with exceptions) between 14–18 hrs at BAK and are accompanied by a collective dinner (on weekdays, 18–19 hrs) and lunch (on weekends, 13–14 hrs) at the Basic Activist Kitchen.
The first training as part of Trainings for the Not-Yet is with artist and pedagogue Adelita Husni-Bey, and takes place from 18-22 September 2019.
A presentation by BAK, basis voor actuele kunst at the Utrecht City Office, part of the exhibition Op Kunstsafari door Utrecht.
An exhibition as a series of trainings for a future of being together otherwise, convened with a multitude of collaborators by Jeanne van Heeswijk and BAK, basis voor actuele kunst, Utrecht.
Come to BAK, basis voor actuele kunst during the weekend of 14–15 September 2019 for the opening of Trainings for the Not-Yet, an exhibition as a series of trainings for a future of being together otherwise, convened with a multitude of collaborators by Jeanne van Heeswijk and BAK, basis voor actuele kunst, Utrecht.
The BAK Summer School: Art as Politics is a collaborative and intensive learning week at BAK, basis voor actuele kunst from 22–26 July 2019 in Utrecht, the Netherlands.
Yallah Sabaya (“Come, ladies! Enjoy yourselves!” in Arabic) is a special evening just for women, an evening where dance and music connect women from around the world. All women, from every country or culture, are welcome to meet, chat, and dance.
BAK, basis voor actuele kunst organizes a special viewing of a new work Seven Addresses (2019) by artist duo Sander Breure & Witte van Hulzen, co-commissioned by BAK and Centraal Museum Utrecht and presented in the exhibition The People Are the City.
With great pride, BAK, basis voor actuele kunst, Utrecht presents a two-part exhibition The People Are the City, which takes place in the public areas of the Utrecht City Office and at The Utrecht Archives.
From 11 March until 15 April 2019, BAK organizes the course Art and Politics. A six-week course on the relations between contemporary art and the political
From 11 March until 15 April 2019, BAK organizes the course Art and Politics. A six-week course on the relations between contemporary art and the political.
In the series BAK, basis voor…, BAK joins forces with other organizations in addressing shared urgencies and developing propositions for “being together otherwise.” The series was conceived as part of the project Trainings for the Not-Yet, organized by artist Jeanne van Heeswijk and BAK from 14 September 2019–12 January 2020.
